Gether
Contemporary

Jay Gard

Jay Gard - Sculpture Scribbles - Gether Contemporary 2023
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Jay Gard - Sculpture Scribbles - Gether Contemporary 2023

Jay Gard - Sanssouci - Transformale Potsdam - Rechenzentrum Kunst- und Kreativhaus - Potsdam 2020
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Jay Gard - Sanssouci - Transformale Potsdam - Rechenzentrum Kunst- und Kreativhaus - Potsdam 2020

Jay Gard - New Positions - Installation view - Gether Contemporary 2022
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Jay Gard - New Positions - Installation view - Gether Contemporary 2022

Jay Gard - We Built This City - Installation view - IG-Metall Haus - Berlin 2020
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Jay Gard - We Built This City - Installation view - IG-Metall Haus - Berlin 2020

Jay Gard - We Built This City - Installation view - IG-Metall Haus - Berlin 2020
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Jay Gard - We Built This City - Installation view - IG-Metall Haus - Berlin 2020

Jay Gard - Møbel - Installation view - Gether Contemporary 2020
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Jay Gard - Møbel - Installation view - Gether Contemporary 2020

Jay Gard - Farbkreis Gabriele - eins energie sachsen - Chemnitz 2021
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Jay Gard - Farbkreis Gabriele - eins energie sachsen - Chemnitz 2021

Jay Gard - Colors - Installation view - Gether Contemporary 2018
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Jay Gard - Colors - Installation view - Gether Contemporary 2018

Jay Gard - Zeichen unter Zeichen - Installation view - Sexauer Gallery - Berlin 2017
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Jay Gard - Zeichen unter Zeichen - Installation view - Sexauer Gallery - Berlin 2017



Jay Gard constructs works whose visual language combine aesthetics and rationality. His expression is dominated by strict geometrical shapes. Here are no coincidences, rather a calculated and conceptualized expression. Industrial materials such as wood, steel and plywood are basic elements of the works, whose surfaces are painted in industrial colours or carries traces of calculations of angles and dimensions.

His works relate to our communication saturated contemporary society. Their clear design become an iconography of the signs and graphic expressions, that we are bombarded with every day. In a split second, we need to intercept a visual message while we are racing on. The concept must therefore be clear and precise for it to settle in us. With the exhibition making things makes us human the communication becomes a sense of clarity and beauty through the concrete and the rational.

The works refer to Constructivism, with pioneers like Aleksandr Rodtjenko, Bauhaus and De Stijl. Here the geometric shapes were used to prioritize the rational and objective. The movement sought to combine art, architecture and design.

Gard's works represent the junction between the rational and the beautiful. In spite of the industrial materials used, a beautiful coherence arises from the juxtaposition of the materials. A symmetry and visual balance is created despite, the coarse materials.

Jay Gard (f. 1984, Halle) lives and works in Berlin. He is a graduate from Hochschule für Grafik und Buchkunst i Leipzig, 2011 and Hochschule für Kunst und Design Burg Giebichenstein in Halle, 2006. Jay Gard has solo exhibited at Museum Günzenhauser (DE), Jonas Mekas Visual Art Center (LT), KanyaKage (DE), Half Gallery (US), Sexauer (DE), Gether Contemporary (DK), Galerie Oelfrüh Cabinet (DE) among other, and he has participated in group exhibitions at Kunstverein Montez (DE), Bauhaus Museum (DE), Alexander Ochs (DE), BW Foundation Herbert Quand (DE), JG Gallery (UK), Galerie Lisa Kandlhofer (A), Axel Obiger Galerie (DE), Schau Fenster (DE). Recent publications include the artist monograph "Jay Gard: Form und Farbe” and "Zeichen unter Zeichen". The works of Jay Gard can be experienced at Bauhaus Museum and is acquired by Ny Carlsberg Fondet.

Selected Exhibitions & Projects

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Jay Gard - Sculpture-Scribbles

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Møbel

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Colors

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Born 1984, Halle, Germany

Lives and works in Berlin

EDUCATION

Hochschule für Kunst und Design Burg Giebichenstein / Halle

Hochschule für Grafik und Buchkunst / Leipzig

SOLO EXHIBITIONS (selected)

2023

Gether Contemporary, ‘Sculpture-Scribbles’, Copenhagen

2022

‘Through the Gard-Glass’, KanyaKage, Berlin

2021

‘Warte für Kunst’, Curves, Kassel

Grimmwelt, ‘Circles’, Kassel

2020

IG-Metall Haus presented by Haus am Lützowplatz, ‘We Built this City’, Berlin

Gether Contemporary, ‘Møbel’, Copenhagen

2019

Museum Gunzenhauser, ‘Gabriele’, Chemnnitz

2018

Gether Contemporary, ‘Colors’, Copenhagen

2017

Sexauer Gallery, ‘Zeichen unter Zeichen’, Berlin

Jonas-Mekas-Visual-Art-Center, ‘It’s the Frame Not the Painting’ , Vilnius

2016

Gether Contemporary, ‘making things makes us human’, Copenhagen

2015

Sexauer Gallery, ‘Wrong History’, Berlin

Galerie Oel-Früh Cabinet, ‘Jay Gard’, Hamburg

2014

Galerie B2, ‘Everybody’s Moving’, Leipzig

2013

Sexauer Gallery, ‘Jay Gard’, Berlin

we make it, ‘J.G.P.C. – The Jay Gard Picture Collection’, Berlin

2011

Universal Cube, ‘FunHouse’, Leipzig

2008

UFO Galerie, ‘Hammertime’, Halle / Saale

Half Gallery, ‘Double Gard’, New York

SELECTED GROUP EXHIBITIONS:

2023

Schloss Düneck, ‘ON AIR’, Moorrege

2022

Gether Contemporary, group exhibition ‘New Positions’, Copenhagen

2021

Kunstverein Montez, ‘Gods and Monsters’, Frankfurt

Atelierhaus Fritz Bornstück, ‘Der kürzere Weg durch die Wand’, Altfriedland

Alexander Ochs Private, ‘Bei uns. Bei euch!’, Berlin

2020

‘Skulpturenpark Schlossgut Schwante’, Oberkrämer

Rechenzentrum, ‘Transformale’, Potsdam

BMW Foundation Herbert Quand, ‘Planet B’, Berlin

2019

Lachenmann Art, ‘Salon Hansa: InterINTIMES_AutoPORTRAIT’, Frankfurt

Galerie Borssenanger, ‘Coming Home’, Chemnitz

JGM Gallery, ‘Habitat’, London

Galerie Axel Obiger, ‘Frame / ing’, Berlin

Galerie Kandlhofer, ‘Galerie Kandlhofer | Sculpture Garden’, Klosterneuburg

Kunststiftung des Landes Sachsen-Anhalt, ‘Die Zukunft Ist Das Neue Ding’, Halle

Bamhaus, ‘Il est temps de s’enivrer | Zeit, sich zu berauschen’, Luxembourg

Schau Fenster, ‘Looking For Dick’, Berlin

Kwadrat, ‘All Out’, Berlin

2018

Kunst und Denker, ‘Melting Point’ double solo with Michelle Jezierski, Düsseldorf

Safe Gallery at les Valseuses, ‘demi-gros’, Berlin

König Galerie, ‘Ein Turm von Unmöglichkeiten’, Berlin

Kunstraum SUPER, ‘Ave Magazine #2’, Wien Wunderkammer Zitadelle Spandau, ‘Hunters & Collectors’, Berlin

2017

DISKURS Berlin, ‘La Table ronde’, Berlin

‘Skulpturen Triennale Bingen 2017 – Nah und Fern’, Bingen am Rhein

Uferhallen Wedding, ‘MEGABOCK’, Berlin

Botschaft, Uferhallen Wedding, ‘lower color’, Berlin

Laden für Nichts, ‘Golden Ass’, Leipzig

Open Air Section, ‘Art Rotterdam’, Rotterdam

Sexauer Gallery, ‘SMALL’, Berlin

2016

‘Salon der Gegenwart’, Hamburg

Gether Contemporary, ‘The Shape Of Things To Come’, Copenhagen

Bauhaus Foundation, ‘Große Pläne’, art in public, Dessau

Schaufenster, ‘Lithomania’, Berlin

2015

Funkhaus, ‘Arcadia Unbound’, Berlin

Kunstquartier Bethanien, ‘c_d_s’, Berlin

Hilbertraum, ‘Schlaraffenland’, Berlin

Kunsthal Charlottenborg, ‘Spring Exhibition’, Copenhagen

2014

Museum Marta Herford, ‘Booster Art.Sound.Machine.’, Herford

2013

kjubh Kunstverein, Nietenblätter, Köln

2011

Grassimesse, Grassimuseum, Leipzig

Unicredit Kunstraum, ‘VEGA Collection #2’, München

2010

Galerie Emmanuel Post, ‘Verwohnung’, Leipzig

2009

Sortie d‘Artistes, ‘Décohérence, Rennes

2008

Jack The Pelican Presents , ‘Wore’, New York

ART FAIRS

2019

Vienna Contemporary, Sexauer Gallery booth, Vienna

Art Brussels, Sexauer Gallery booth, Brussels

Art Rotterdam, Sexauer Gallery booth, Rotterdam

Art Herning, Gether Contemporary booth, Herning

2018

Art Berlin, Sexauer Gallery booth, Flughafen Tempelhof Berlin

Biennale Ansbach Contemporary, Gotische Halle, Ansbach

2017

Art Rotterdam, Open Air Section, Rotterdam Art Herning, Gether Contemporary, Herning

AWARDS AND RESIDENCIES

2019

Bauhaus Dessau Artist Residency, 100 years Bauhaus

Art Grant, Kunstfonds Foundation Bonn

Exhibition support for “Gabriele” by KdFS (Kulturstiftung des Freistaates Sachsen)

2017

Exhibition support for ‘It’s the Frame Not the Painting’ by Goethe-Institut-Litauen

2016

Artist in Residence, Nida Art Colony of Vilnius Academy, Lithuania