Gether
Contemporary

Pierre Knop

Pierre Knop, Bay Watch, 2021, Mixed media on canvas, 100 x 120 cm
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Pierre Knop, Bay Watch, 2021, Mixed media on canvas, 100 × 120 cm

Pierre Knop, Helena and the Moon of War, 2021, 145 x 180 cm
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Pierre Knop, Helena and the Moon of War, 2021, 145 × 180 cm

Pierre Knop, Soon in Korea, 2021, Mixed media on canvas, 115 x 150 cm
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Pierre Knop, Soon in Korea, 2021, Mixed media on canvas, 115 × 150 cm

Pierre Knop, Trail, 2021, Mixed media on canvas, 120 x 160 cm
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Pierre Knop, Trail, 2021, Mixed media on canvas, 120 × 160 cm

Pierre Knop, Lost Board, 2021, Mixed media on canvas, 95 x 120 cm
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Pierre Knop, Lost Board, 2021, Mixed media on canvas, 95 × 120 cm

Pierre Knop, Voyage, 2021, Mixed media on canvas, 30 x 105 cm
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Pierre Knop, Voyage, 2021, Mixed media on canvas, 30 × 105 cm

Pierre Knop, Swiss Summer Evening, Mixed media on canvas, 140 x 120 cm
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Pierre Knop, Swiss Summer Evening, Mixed media on canvas, 140 × 120 cm

In Pierre Knop's paintings, soulful landscapes encroach on small human figures and their houses, while they meditatively go about their daily lives during swimming, hiking or fishing. A dreamlike quietude is accompanied by an ominous sense of unease, as something seems to be looming on the horizon and thickening the atmosphere.

Pierre Knop works intuitively and organically, usually on multiple canvases at once, embracing chances and presumed mistakes in his process. His use of multiple mediums on one canvas creates dynamic and vibrant compositions, ranging from richly saturated nearly flattened fields of colour to freely sketched areas of gestural lightness.

The artist perceives his studio as a laboratory for experiments. In long, intimate working sessions, the painter gets caught up in an associative flow in which his images form and interconnect. In previously unpredictable processes, he weaves together fleeting memories, dream visions and fragments of his extensive pictorial archive.

Influenced by Expressionism, Post-Impressionism and Symbolism, the artist has an approach to figures and landscapes, recalling painters such as Pierre Bonnard, Ferdinand Hodler or Poussin. Among his contemporary influences, he names Jeff Wall and Gregory Crewdson, understandable references, considering their common affinity for enigmatic and oddly timeless scenic compositions.

The protagonists of his paintings are overpowering landscapes, their figures merge with mountains, beaches or forests and exist in a certain tension to their environment. In the age of climate crisis, where ecological questions like rapid global warming and pollution are threatening every aspect of life itself, these sublime and intact landscape compositions seem almost surreal. These uncanny scenarios can neither be located to a specific place nor time and explore the ambiguities of escapism: on the one hand, the basic human need for spaces of longing, on the other hand, the desire to flee from an increasingly complex world and one's own responsibility in it.

At first glance, Pierre Knop's pictorial worlds seem bright and at times humorous, but in the aftermath, there is also a sense of a more elusive restlessness. The world of Dark Suns is filled with this ambivalence and complexity and reveals the traditional genre of landscape to be anything but naïve.

Pierre Knop was born in 1982 in France and raised in Germany. He graduated from Kunstakademie Düsseldorf in 2013 and now lives and works in Cologne, Germany. Selected exhibitions include Kunsthaus Essen, CHOI & CHOI, Seoul, Yossi Milo Gallery, New York, Kunstverein-Koelnberg, Annat Ebgi, Los Angeles, Ruttkowski68, Cologne, Annarumma Gallery, Naples, Spazio Amanita, New York.

CV

PIERRE KNOP

Born 1982, Nancy, France

Professor of painting 2019/20 at State Academy of Fine Arts Karlsruhe, Germany

Education

2008-2013

Kunstakademie Düsseldorf, Germany (classes of Andreas Schulze & Katharina Grosse)

2013

Master of Fine Arts, graduate as ‘Meisterschüler’ (class of Katharina Grosse)

Selected Solo Exhibitions:

2022

Gether Contemporary, Copenhagen, DK, 'Dark Suns'

2021

Yossi Milo Gallery, New York, US, 'Paysage Wonderlust'

2020

Choi&Lager Gallery, Seoul, Korea, ‘Tetrachromatic Visions’

2019

Choi&Lager Gallery, Cologne, Germany, ‘Feast of Fools’

2018

Annarumma Gallery, Naples, Italy, ‘Ei Gude’
Lyles and King, projectspace, New York, USA, ‘Bachsimpel‘

2016

Jacob Bjørn Gallery, Aarhus, Denmark, ‘Mayor Projects‘

Selected Group Exhibitions

2022

Choi&Choi Gallery, Seoul, South Korea, ‘Flower’

2021

Spazio Amanita, New York, US, 'The Loneliest Sport'

2020

Ruttkowski68 Gallery, Cologne, DE‚ ‘Mixed Pickles 7'

2019

Ruttkowski68 Gallery, Cologne, DE‚ ‘Mixed Pickles 6‘
Barbara Seiler Gallery, Zürich, CH, ‘Finger Talkin’

2018

Anat Ebgi Gallery, Los Angeles, USA, ‘Worshiping Sticks and Stones‘
PM/AM, London, Great Britain, ‘01’ (with Tom Anholt, Jessie Makinson, Neil Raitt etc.)

2017

JAGLA, Cologne, DE, ‘Saskia’
Kunsthaus Essen, Essen, DE, ‘Memories of an Elephant‘ (with Tamina Amadyar, Simon Laureyns, Mathis Malling Morten

GRANTS & AWARDS

2016

Friedrich-Schneider Grant, Düsseldorf, DE

RESIDENCIES

2018

La Brea Residency, Los Angeles, USA

TEACHING EXPERIENCE

2019-2020

State Academy of Fine Arts Karlsruhe, Germany, Professor