Lu Yang (b. 1984, China) graduated from The New Media Art department at China Academy of Art. With a fascination of the human body, neurology and control, Lu Yang's works provide a bridge between scientific technology and aesthetics drawn from the hypermediated nature of the contemporary East Asian culture industry. From this concoction, the artist brings to life hybrid creatures that transcend identity concepts of gender, sex and nationality to better understand what it means to be human in the 21st century. Yang has been represented at numerous international exhibitions and triennials/biennials including UCCA Beijing (CH), Center Pompidou (FR),Fondation Louis Vuitton (FR), ICA London (UK), Mori Art Museum (JP), Rubin Museum of Art (US), Carnegie Museum of Art (US), Musée d’art Contemporain Lyon (FR), Neue Nationalgalerie (DE) and Momentum Berlin (DE). Yang also represented China at the Venice Biennial in 2015 with the work 'Digital Gods'.

Gioele Amaro (b. 1986, Italy) is a trained architect and has worked with the renowned architect Jean Nouvel. The premise of Gioele Amaro's art work is that both digital and physical images are constantly changing and dependent on our gaze. By combining, transforming, and blurring the boundaries between traditional media and new technology, Amaro initiates a dialogue between traditional paintings, photography, and drawings and new technology. Gioele Amaro has participated in major international exhibitions at, among others, Almine Rech (UK; CN; FR & BE), Reinhard Hauff (DE), Balice Hertling (FR), Galerie Forsblom (FI), HdM Gallery (SG & CN) and Galerie Untilthen (FR) in addition to collaborations with Fondazione Prada (IT), NMNM Monaco National Museum (MC), MOMA PS1 (US), Sotheby's (FR), and Maison Valentino (FR & CN).

Sif Itona Westerberg (b. 1985, Denmark) graduated with an MFA from The Danish Royal Arts Academy. She works primarily within the field of sculpture, from where she examines new ecologies, relations, and aesthetics within the anthropocene area. Previously, she has exhibited at the Driehaus Museum (US), Kasmin Gallery (US), Sophienholm Art Museum (DK), Arken Museum of Art (DK), AROS Aarhus Art Museum (DK), Den Frie Udstillingsbygning (DK), Gianni Manhatten (AT), Oluf Høst Museum (DK), PERMM Museum of Modern Art (RU), Latvian Center for Contemporary Art (LV), Tranen (DK), and Kunsthal Charlottenborg (DK).

Asger Dybvad Larsen (b. 1990, Denmark) graduated from The Jutland Art Academy in 2017. In his work, Dybvad Larsen takes up painting both as a medium and as an art historical object. Through minimalist works of art that are constantly made and re-made, he fundamentally questions the autonomy of painting and exposes the artist's work and process while letting works connect with each other. He has exhibited nationally and internationally at various institutions such as Galerie Rolando Anselmi (DE) & (IT), Geukens & de Vil Gallery (BE), Pablo’s Birthday (US), False Front (US), Art Sonje Center (KR), L21 (ES), Nordic Contemporary (FR), Fabbrica Orobia (IT), Arroniz Gallery (MX), Ernesto Esposito Collection (IT), Galeria Boavista (P), Viborg Kunsthal (DK), and Rod Barton (UK).

Amalie Jakobsen (b. 1989, Denmark) graduated from the Royal Danish Academy of Fine Arts in Copenhagen and Goldsmiths University in London. She works primarily with sculpture, from where she investigates the interplay between form, space, color and time. Her works have been exhibited both in Denmark and abroad, including solo exhibitions at Gl. Strand (DK), TwilSharp Gallery (ZA), Feral (MX), and STCFTHOTS (UK).

Jay Gard (b. 1984, Germany) graduated from Hochschule für Grafik und Buchkunst i Leipzig, 2011 and Hochschule für Kunst und Design Burg Giebichenstein in Halle, 2006. In his works encompassing sculpture, paintings, and drawings, his visual expression is dominated by strict geometrical shapes. Jay Gard has had solo exhibitions at Museum Günzenhauser (DE), Jonas Mekas Visual Art Center (LT), KanyaKage (DE), Half Gallery (US), Sexauer (DE), Gether Contemporary (DK), Galerie Oelfrüh Cabinet (DE) among others, and he has participated in group exhibitions at Kunstverein Montez (DE), Bauhaus Museum (DE), Alexander Ochs (DE), BW Foundation Herbert Quand (DE), JG Gallery (UK), Galerie Lisa Kandlhofer (A), Axel Obiger Galerie (DE), and Schau Fenster (DE).

Rune Bosse (b. 1987, Denmark) graduated from the Royal Danish Academy of Fine Arts in 2016, combined with studies at Olafur Eliassons experimental art school, Institut für Raumexperimente in Berlin. Nature is always the focal point of Rune Bosse's artistic work whether working with big scale museum installations or smaller framed works. Hence, when Rune Bosse gently studies trees, roots, plants, sprouting grains, and withered leaves, it is an attempt to understand the very basic mechanisms of nature and see man in the light of this. Bosse's previous solo exhibitions include Overgaden (DK), HEART Museum (DK), and GL Strand (DK) among others. He has participated in group exhibitions at Arken Museum of Modern Art (DK), Hamburger Bahnhof (DE), Neue National Galerie (DE), Den Frie (DK), SMK Fridays (DK), Kunsthal Charlottenborg (DK), Tønder Kunstmuseum (DK), KØS (DK), AROS Triennial (DK), Den Hirschprunske Samling (DK), Fåborg Kunstmuseum (DK), Kunsten Aalborg (DK), and Vitamin Creative Space (CN).

Rhoda Ting (b. 1985, AUS) and Mikkel Bojesen (b. 1988, DK) is an artist duo based between Copenhagen and Melbourne (formerly Studio Thinkinghand). Their works focus on methods of listening, relating and co-creating with other than human species such as fungi, bacteria and ecosystems as well as, synthetic life such as soft robotics, making visible stories, intelligences, and life beyond the human gaze. Bringing together science, technology and industry, their work investigates speculative futures, and explores philosophies that can move us collectively and affirmatively beyond the anthropocene. Their exhibitions include shows in Politikens Forhal (DK), GLAS Museum for Glass Art (DK), Munkeruphus (DK), Kunsthal Nord (DK), Kunsthal Aarhus (DK), Nikolaj Kunsthal (DK), and Seoul Museum of Art (KR).

Jochen Mühlenbrink (b. 1980, Germany) studied painting at Kunstakademie Düsseldorf (2001-2006). Known for his Trompe-l’œil technique, Mühlenbrink leans on theories to investigate reality within the aesthetic principles of modernist painting and classical art. Since 2005 his works have been exhibited in galleries and institutions such as Long Story Short (US), Galerie Au Cube (FR), ASPN (DE), Monti8 (IT), Museum Bensheim (DE), Gerhard Hofland (NL), Gallery Simon (KR), Kunstmuseum Solingen (DE), and Stadtmuseum Oldenburg (DE).

Uwe Henneken (b. 1974, Germany) studied at Academy of Fine Arts Karlsruhe and at the HBK Berlin, Germany. Henneken's practice is marked by a continuous and ever changing flow of styles and motifs, being connected to profound questions of arduous journeys of introspection and extrospection. Henneken has had solo exhibitions at Kunsthalle Gießen (DE), Centro Cultural Andratx (ES), Gesellschaft für Gegenwartskunst (DE), Kunstverein Braunschweig (DE), and Frans-Hals-Museum (US) among others and his previous group exhibitions include Kunsthalle Bremen (DE), Kunstpalais Erlangen, me Collectors Room (DE), Kunsthalle Recklinghausen (DE), Musée d’art contemporain (FR), ZKM Museum für Neue Kunst (DE), Arp Museum Rolandseck (DE), Lido Pavilion, 53th Venice Biennial (IT), Sprengel Museum (DE), and Aspen Art Museum (USA), among many more.